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"The autobiography portrays a character who doesn't like constraint, who believes that art should be for its community..."
"These were women who knew the true cost of the injustice and inhumanity of war."
"This is a fine piece of theatre. It just isn’t about what it’s supposed to be about."
"I like to have a specific person or demographic in mind that I’m writing for and with this, I felt like I was writing it for all the Pijins in Wales."

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Esyllt Sears wonders whether the time has come for popular culture to close the case file on true crime.
Peter Darney talks to Emma Schofield about his plans for the new cabaret venue, opening this month, in the Wales Millennium Centre.
David Greenslade explores the life and work of French Moroccan artist, Hervé Constant, delving into the notion of “global Welsh” and how this binds…
Sally Hales asks London playwright Diana Nneka Atuona why she’s brought 1940s Tiger Bay to life on the London stage.
As Gareth Bale calls time on an extraordinary football career, Nick Davies explains why his on-pitch heroics have contributed to Wales’s cultural…
Emma Schofield charts the fall-out caused by media coverage of Jacinda Ardern's decision to step down as Prime Minister of New Zealand and why it's time…
Carole Burns explores painter Celia Paul's new book, Letters to Gwen John, which sets out a series of imagined correspondence with Gwen John, the artist…
Cerys Hafana’s distinctive style brings a contemporary twist to the Welsh triple harp. Gary Raymond caught up with her at the Celtic Connections…
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